2018-2019 |

Katie Hornstein

Silhouette
Associate professor
Institution(s) de rattachement : Dartmouth College

American Council of Learned Societies Research Fellowship, 2018-2019

Coordonnées professionnelles

katherine.s.hornstein[at]dartmouth.edu

Thèmes de recherche

- Les lions qui ont vécu dans la ménagerie du jardin des plantes à Paris, c. 1794-1900

- Le rapport entre l’animalité et la production visuelle à travers des médias (peinture, sculpture, gravure, photographie)
 

 

Publications

Livres

Projet de livre : Leonine Encounters in Nineteenth-Century France

Picturing War in France 1792-1856, Yale University Press, 2018.

Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture, co-edited with Daniel Harkett. Hanover, NH: University Press of New England, 2017.

Articles dans journaux scientifiques

“From Museum to Menagerie: Théodore Géricault and the Leonine Subject,” Art Bulletin 101, no. 1 (2019): 26-47.

“Suspended Collectivity: Horace Vernet’s The Crossing the Arcole Bridge (1826),” Art History 72:3 (June: 2014): 429-453.

« Le Diagraphe et Pantographe de Charles Gavard et l’âge de la reproduction mécanique visuelle en France, » Revue histoire de l’art 71 (2012): 73-83. 

“Just Violence? Jacques Callot’s Grandes Misères et Malheurs de la Guerre,” University of Michigan Museums of Art and Archaeology Bulletin, Volume XVI (2005-2006): 29-48.

Contributions à des ouvrages collectifs

“Fecundity, Ferocity, and the Family Politics of Jean-Baptiste Huet’s A Lion and His Female Nursing Their Cubs (1802),” Time, Media, and Visuality in Post-Revolutionary France, edited by Richard Taws and Iris Moon, expected fall 2019, Bloomsbury (invited and peer-reviewed). 
   
“Introduction (co-authored)” and “Horace Vernet and the Problem of Facilité” in Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture, edited by Katie Hornstein and Daniel Harkett (Hanover, NH: University Press of New England), 1-23 and 189-209. (Peer-reviewed)

“The Territorial Imaginary of the Revolutionary and Napoleonic Wars,” Visual Culture and the Revolutionary and Napoleonic Wars, eds. Philipp Shaw and Satish Padiyar (London: Ashgate, 2016), 13-24. (Peer-reviewed)

 “An Unhappy Rivalry: Art and Industry at the Exposition Universelle of 1855 in Paris,” in Meet Me at the Fair: A World’s Fair Reader, edited by Celia Pearce and Laura Hollengreen (Pittsburgh: Carnegie-Mellon ETC University Press, 2014), 169-174.  (Peer-reviewed)
 

Communications orales

2019

Keynote address, Les formes visuelles du collectif (19e-20e-21e siècle), Université de Tours – laboratoire InTRu, “Battle Painting and the Question of the Collective,” November 14-15, 2019 (invited).

Imagineering Violence, Techniques of Early Modern Performativity: The Spectacle of Violence in the Early Modern Period, Vrije Universiteit Amsterdam & Flemish Arts Centre De Brakke Grond, Amsterdam “The Lion Hunt and Scenes of Violence, 1400-1800,” March 20-22, 2019. (Invited).

Séminaire de M1 en anglais, Département d'histoire de l'art et d'archéologie Université Paris Nanterre/ Institut national d’histoire de l’art, “Picturing War in France: Horace Vernet and the Politics of Official and Unofficial Battle Painting,” (Invited).

Centre André Chastel Seminar, CNRS, Paris, “Les rencontres léonines: image, politique, histoire,” March 13, 2019. (Invited).

2018

Nineteenth-Century French Studies Annual Meeting, “Édouard Manet’s Portrait of Eugène Pertuiset (1881) and the Lion Hunter, Denatured,” October 25-27, 2018.

Writing Nature, UCLA French Department Graduate Conference, Opening speaker: “Théodore Géricault and the Leonine Subject,” October 18, 2018. (Invited)

2e congrès de la Société pour histoire des médias, Sorbonne, Paris, “Looking through the Grande Glace: Transparency, Display Culture, and Technologies of Vision in the Palais de l'Industrie in 1855,” May 23-25, 2018.

Aga Khan Program in Islamic Architecture, Massachusetts Institute of Technology, Translating Destruction: Contemporary Art and War in the Middle East conference, “Horace Vernet and the Pitfalls of Painting Empire,” April 27-28, 2018.  (Invited)

 

Enseignements / Autres collaborations

Dartmouth College, chargé des cours en histoire de l’art européen, 1700-1950, et l’histoire de la photographie. 


Dernière mise à jour : avril 2019

Document(s) à télécharger

EHESS
CNRS
MNHN
PSL
CollEx

Rechercher dans le catalogue :


flux rss  Calenda - Études des sciences

flux rss  Les techniques au Centre Alexandre-Koyré

Centre Alexandre-Koyré
UMR 8560
EHESS/CNRS/MNHN
27 rue Damesme
75013 Paris
France

Tél. : +33 (0)1 40 78 26 38